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November 07, 2008

[Tytania] Q&A for Episodes 3 to 5

For the record, Ep 3 and 4 were adapted from Tanaka Yoshiki's novel, whereas Ep. 5 was an original story.

1) What is the hidden meaning of the conversation between Idoris and Estorad?

Tytania0500005

I always perk up whenever there is a scene with Idoris in it because those scenes are inevitably the ones with meaty food for thought. The dialogue is just superb in hinting what a complicated issue is Idoris' assignment to Crystal Palace. It keeps Idoris away from the power center that is Uraniberg for long stretches of time, in a job for which there is already an incumbent - namely Ajman's elder brother, Estorad. Neither Idoris nor Estorad are too busy in their jobs and their functions overlap anyway, which show that neither are trusted by Ajman entirely. Estorad too must have been a contender to be the leader of the Tytania clan when he was younger, but lost out to Ajman in the end, and now he is parked in the Varudana court - out of harm's way.

It is likely to be Ajman's design to keep both Idoris and Estorad out of Uraniberg, and yet within a field of possibilities that would give Ajman justifications to purge them if need be should the following scenarios occur:

i) Idoris or Estorad being too "friendly" with the Varudana court - perhaps in secretly teaming up with the conspirators; or

ii) Idoris or Estorad being too "unfriendly" with the Varudana court - as is almost the case when Idoris executes his political purge of the conspirators.

So you see, Idoris and Estorad have very narrow room to survive in their posts. As Jouslain observed in Ep 3, Idoris is rather extreme in his political purge - to the extent that Jouslain fears that Idoris would only provoke more conspirators to come forward. I believe should the situation worsen, it is foreseeable that Ajman could lay the blame on Idoris (saying that Idoris is young and will be disciplined etc), and preserve the status quo between himself and Varudana. Idoris would be a disposable scapegoat after Ajman finished using him as a tool to purge Varudana's conspirators. 

If you are Idoris and you are assigned to such a job, it probably makes sense to overdo the purge (but not too much), if only to ward off any suspicion that you may be brokering a secret deal with Varudana's conspirators.

As it stands, Idoris and Estorad are both kept away from real responsibilities of running Tytania's affairs. (The real responsibilities are shared between Jouslain and Ariabart. Jouslain looks after diplomacy and politics while Ariabart takes care of military operations.)

Some may not like this anime series for taking too long to establish the context, but it is precisely the context that gives layered meaning to a seemingly innocent dialogue like this one.

2) Was Jouslain's negotiation with Turandia a failure?

Tytania0500025

I would say from the point of view of preserving peace, it was a failure; but from point of view of Tytania's consolidation of power, it was successful. Jouslain came away with "moral grounds" for Tytania to retaliate against Turandia (he himself was nearly taken hostage, a liaison officer of Tytania was killed etc). Now Tytania has ample grounds to send in the troops to Turandia. Tytania needs such a war to undo their last defeat in the eyes of the world - and not lose credibilty in starting an unreasonable war (which would only make them look desperate).

So you see how sly Tytania is - they themselves do not pull the trigger, but create a situation that would be tempting for others to pull the trigger first. Jouslain physically visits Turandia on a special mission, without any guards to accompany him. Why did he not ask Turandia to send someone to Uraniberg for a talk, or to meet him at a 3rd party neutral place?   

From Jouslain's perspective, if Turandia is not brewing a conspiracy, then nothing would happen to his person regardless of how he behaves. But if Turandia is indeed brewing a conspiracy, then it is quite foreseeable that his visit would result in his being captured as a hostage. His calculation turns out to be accurate.

Jouslain is a deep one - one should not only look what he does, but also at what he chooses not to do. It is the same thing back in Ep 2 - I believe that Jouslain could have spoken of his conjecture that Euria meant to lose to Ajman in private (especially if he is confident in his conjecture), but he did it in public knowing how humiliating this would be to Ariabart. It is a clear blow against Ariabart, however imperceptible.

3) Why did Ladisha commit suicide?

Tytania0500039

It is plain that Ladisha does not have much hold on power after the death of her husband. Her only friend is Tytania's military liaison officer Elvin - in other words, an outsider who is stationed there for relaying intelligence back to Uraniberg. This hardly helps.

I believe Ladisha commits suicide in order to prevent herself and her name from being used by anti-Tytania fractions in Turandia. They need her. To thaw their efforts, she ends her life.

A word on Elvin - his last name is not "Tytania" per se, but his father is actually a member of the Tytania clan by blood. It shows that it is a privilege to bear the last name of "Tytania", and not everyone related by blood is privileged bear it. There is some sort of halo around the name "Tytania" (just like there is a halo around "Imperial Rome," for example). They restrict the number of those who can bear that last name in order to preserve the mystique.   

4) Why did Aluses let Fan walk away?

Tytania0500001

Because it is more or less within his calculation that Fan would run away, and those who help Fan run away would be inevitably be anti-Tytania fractions. In other words, he is gambling on the opportunity to use Fan as a bait to lure anti-Tytania forces into action. That way, he would be able to take credit in a crackdown and be brought back to Uraniberg. This would be the first step he needs to take in order to eventually replace Salisch by scheme or crook. That is why Salisch sent Aluses to some place far from Uraniberg to begin with, because he knows that Aluses is after his position as a duke.

5) How serious is Miranda in re-establishing her country and overthrowing Tytania?

Tytania0300009

Actually they change the scenario so much in the anime that I cannot say for sure. In the novel, the only reason why Lila seduces Fan is because it is Miranda's test of Fan's integrity. If Fan yielded, they were going to turn him in to Tytania and receive the bounty on Fan's head.

September 28, 2008

[Breaking News] A new novel volume of 'Arslan Senki' to be released on 6 Oct 2008

Arscd3 Does anyone still remember Arslan Senki? Breaking news - after all these years, a new novel volume is due to appear on 6 October 2008 according to Tanaka Yoshiki's manager's blog which can be found here:

ttp://a-hiro.cocolog-nifty.com/diary/2008/09/post-956a.html

(Sorry to be pimping about this all the time, but fans of Tanaka Yoshiki - in case you are still not aware of this for whatever reason - would do well to check out Tytania, the anime adaptation of his sci-fi novel series. I devote my blogging on this here.)

July 20, 2008

[Announcement] French translation of 'Arslan Senki'

9076f7d39ecc60c9a8ec9ac3Does anybody still remember Arslan Senki / The Heroic Legend of Arslan (アルスラーン戦记)?

Apparently, there is now a published Vol.1 of the French translation of the novel series by Tanaka Yoshiki. Not that I know French to be active in the French fandom, but I am surprised that it came into publication in April 2008 with so little fanfare...

Rumour also has it that a new Japanese volume will be published sometime this year.

Now if only they would continue with the anime adaptation thereof after so many years...

July 08, 2008

The Chinese illustrator Hansey and his illustrations for the PRC edition of 'The Legend of Galactic Heroes' novels

Imagine my surprise on discovering (better late than never) that a few years ago a huge controversy was caused by the original covers for the legitimate PRC edition of Tanaka Yoshiki's novels The Legend of Galactic Heroes, illustrated by the Chinese artist Hansey (see below):

Zuijiudeshaoji20060317181431  200603230017_1041593 200603230018_1041591

The gist of the controversy was that fans in the PRC seem to reject them with overwhelming hatred. In the end, the covers were pulled from publication. Of course I am curious to know why the PRC fans find these covers despicable. Unfortunately, from what I glimpse online I found it rather difficult to discern any clarity of expression behind all the hate message as to why they hated the novels to the point of calling for a boycott. Much of it seems to be mired in personal attacks against the illustrator than any rational assessment of why the covers do not suit The Legend of Galactic Heroes. Worse, I seem to sense the undercurrent sentiment that 'anything made in China is rubbish'.

I personally am delighted with the air of mysteriousness of Hansey's covers - I actually prefer them to the more dull-looking but more hard-sci-fi looking covers of the Japanese edition. I learned that in the end the PRC publisher recycled the illustrations of Michihara Katsumi (道原かつみ), the Japanese shoujo artist who illustrates and adapts the story into manga format. Her artwork has a shoujo-feel which I always adore (see below), but to be honest,  I love the bold and imaginative style of Hansey that is somehow expressive of the vastness of time and the galaxy as novel covers better. Michihara's illustrations in themselves may be nice - but I find the colour coordination of the background of the novel covers rather wanting - it looks as though her drawings were cut and pasted against dull backgrounds of red, blue, yellow and what-have-you.

41b38201025f03d8267fb5f7jpg_2 8122ac77aec63715b151b9f7_2

So, tell me, you fans of The Legend of Galactic Heroes - what do you feel about Hansey's illustrated covers? Am I the only one to think that they are wonderful? That the PRC fans do not know what they are missing out?

July 06, 2008

Episode 01: Yakushiji Ryouko no Kaiki Jikenbo (薬師寺涼子の怪奇事件簿)

So one of my most anticipated anime series finally aired. Some quick comments (with spoilers ahead):

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1) It seems that they are featuring original stories instead of lifting material straight from the novel series. I see from the staff credits that the script was written by one Yamazaki Hiroyuki (川崎ヒロユキ). If the story were really in the element of Tanaka Yoshiki, I would think that the whole shopping trip to Ginza would probably be a calculated plan on the part of Ryouko - though she makes it look as though it were just a whim.

Continue reading "Episode 01: Yakushiji Ryouko no Kaiki Jikenbo (薬師寺涼子の怪奇事件簿)" »

June 29, 2008

[Housekeeping] Sub-blog of Tanaka Yoshiki's 'Tytania'

Apparently the anime series that is most anticipated by me in 2008 is called 'Tytania' not 'Titania'. Anyway, the official website of that series was launched a few days ago and between now and the scheduled release in October, I will probably be updating my dedicated sub-blog on bits of news that leak through.

March 05, 2008

Fans of 'The Legend of Galactic Heroes' rejoice! Tanaka Yoshiki's space opera 'Titania' to be animated!

514zfb4wqjl_ss500_ Breaking news indeed! Just 2 days after we learned that Titania is to be adapted into manga format, we now learn that it is to be animated as well. 

Referring back to my 2008 wishlist, it seems that I can now check off item 2 (ie. a revival of interest in Tanaka Yoshiki). As for the remaining items:

1) Gankutsuou-like art direction in Amatsuki

I have more or less given up on this after looking at the pictures on the official website.

2) At least one adaptation from an old-school shoujo classic

Nothing like that on the horizon yet. Though one wonders if Shimizu Reiko may be considered as 'old school shoujo'.

3) At least one series of serious historic drama

Maybe Mugen no Juunin (無限の住人) will fit the bill, but I have yet to learn more about this series.

4) A new series from Watanabe Shinichirou

No news from the creator of Cowboy Bebop and Samurai Champloo yet.

5) Shinbo Akiyuki coming to his senses at last

No sign of that happening any time soon.

6) Something groundbreaking in terms of art direction

Thankfully, Kaiba will fit this description quite nicely.

March 03, 2008

Tanaka Yoshiki's novel series 'Titania' to be adapted into manga

Breaking news! Apparently, the space opera novel series Titania (タイタニア) by Tanaka Yoshiki (田中芳樹) is to be adapted into manga format on the magazine Shounen Sirius:

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Here is what I have learned so far about Titania compared The Legend of Galactic Heroes, a.k.a. the space opera classic Tanaka Yoshiki is famous for:

  • The novel series is not yet finished.
  • Titania portrays a multipolar political world as opposed to a bipolar political world like in The Legend of Galactic Heroes.
  • The characters just sort of go with the flow of events and no clear winner has emerged in the process.
  • Whereas The Legend of Galactic Heroes places a greater emphasis on military issues, Titania is heavier on the political side of things.
  • Whereas The Legend of Galactic Heroes has quite a few quotable passages, Titania has very little of those. Instead, there are more depictions of the characters' interactions with each other and their psychology.
  • Titania is on the whole darker than The Legend of Galactic Heroes. Instead of splendid military strategies, you get dirty political plots winning the day.

What do I know? Referring to my 2008 wishlist, perhaps Tanaka Yoshiki is to experience a comeback after all. Now if only Titania is to become an anime series...

February 03, 2008

An update on 'Yakushiji Ryouko no Kaiki Jikenbo'

So Yakushiji Ryouko no Kaiki Jikenbo, also one of my most anticipated anime in 2008, gets an official webpage of sorts:

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As you can see, it is scheduled to air in the summer season (probably July 2008). It will be... a heck of a long wait for me.

(Source: ttp://www.starchild.co.jp/special/yakushijiryouko/)

December 26, 2007

Wishlist for 2008

  • Img_75805273 Gankutsuou-like art direction in Amatsuki

Since Amatsuki is set in a computer-generated recreation of Edo Japan (albeit with some supernatural stuff), I hope they may as well make it sassy and borrow a leaf from Gankutsuou's art direction. The manga covers themselves are full of bright, vibrant colours. I hope the colours will be no less a pleasure to look at in the anime.

  • A revival of interest in Tanaka Yoshiki

I think the lately announced adaptation of Yakushiji Ryouko no Kaiki Jiken will be sure to bring it off. Tanaka Yoshiki has been rather off-the-radar since the Gineiden boom in the late 80s. Efforts to animate his other works such as The Heroic Legend of Arslan and Shichi Toshi Monogatari had been abandoned halfway. A pity that is.

  • Terra13 At least one adaptation from an old-school shoujo classic

In 2007, we had Toward the Terra (though there is some hairsplitting debate as to whether it qualifies as shounen or shoujo). The point is, I would love to see the likes of Ikeda-sensei's The Window of Orpheus (or something grand and epic in the old-school shoujo genre) animated. The original stories are so packed and meaty that the animators would have to try very hard in failing to produce an interesting series.

(Speaking of which, whatever happened to that The Rose of Versailles movie which was announced at TAF 2007?)

  • At least one series of serious historic drama

Just as convention seems to have it that summer is usually the season for supernatural thrillers, one would have thought that the fall/winter season would be the time for serious historic drama. There was none to speak of in the fall/winter of 2007/2008, which was something of a disappointment.

  • Manga02_us_2 A new series from Watanabe Shinichirou

Likewise, Watanabe-sensei has been rather off-the-radar since Samurai Champloo in 2004-2005. There are directors out there who churn out work every season, but Wanatabe-sensei seems to have been on a rather long vacation. I hope 2008 will be the year he makes a comeback.

  • Shinbo Akiyuki coming to his senses at last

The man who brought us Le portrait de petit Cossette is really doing himself a disservice with works like Sayonara Zetsubou-sensei and that what's-its-name series. Zetsubou-sensei is all the more heartbreaking to behold because there is so much promise in terms of graphical creativity – the show is like... a beautiful woman who is all dressed up but has nowhere to go.

  • Gankutsuou_the_count_of_m_163_1280 Something groundbreaking in terms of art direction

I am a big fan of art direction. The year 2004-2005 had Gankutsuou. The year 2006 had Kemonozume. The year 2007 had Mononoke. I am just hoping that there will be at least one such effort to break new ground every year.

So what is your wishlist for 2008? I would love to hear from you all.

December 15, 2007

From the creator of 'The Legend of Galactic Heroes' and 'The Heroic Legend of Arslan': 'Yakushiji Ryouko no Kaiki Jikenbo' to be animated in 2008

I was being nostalgic the other day about anime classics like The Legend of Galactic Heroes and The Heroic Legend of Arslan - which were both based on the novel series of Tanaka Yoshiki (田中芳樹). And now the good news came that his novel series Yakushiji Ryouko no Kaiki Jikenbo (薬師寺涼子の怪奇事件簿) is to be animated in 2008! I haven't read it, but I know it is about an enfant terrible of a gorgeous policewoman with a ton of brains solving complicated cases and causing trouble to the Establishment in general.

Finally I feel that there is something for me to look forward to in 2008. I will be sure to write more on this.

(Source: ttp://www.starchild.co.jp/special/yakushijiryouko/)

October 28, 2007

Brain food for this winter: 'Yabou no Enbukyoku (The Waltz of Ambition)', 'Rain no Ryoshuu (The Prisoner of the Rhein)' and 'The Heroic Legend of Arslan (アルスラーン戦記)' by Tanaka Yoshiki (田中芳樹)

By way of defiance against all the moe crap this season, I am ordering some novels from the creator of The Legend of Galactic Heroes (銀河英雄伝説) and The Heroic Legend of Arslan (アルスラーン戦記):

Ambition07_3 Ambition01 野望の円舞曲 / Yabou no Enbukyoku / The Waltz of Ambition

An epic of economic warfare set in the future and staged across the galaxy. The protagonist is a young woman who vows to take her revenge on her father for the death of her mother and vyes with him for the mastery of the galaxy. The only weapon she has is money.

You may think of this as The Legend of Galactic Heroes except the focus is on economics and finance instead of war and politics. I am also curious as to how a female protagonist with all the brains you would expect in a Tanaka Yoshiki novel would fare. Will she be Reinhard von Lohengramm in a dress? As I was saying earlier, in anime/manga, the intellectual and personal growth of a female character is typically supported by an understanding father in the absence of a mother (and even then the female character typically crossdresses as man and renounces her femininity). In contrast, the intellectual and personal growth of a male character tends to be pitted against his father, or at least a father figure, or the concept of 'father' in the abstract. The set up in Yabou no Enbukyoku seems to be an exception to this. The female protagonist does not crossdress (is in fact well-dressed in a feminine way), has brains and is in revolt against her father to be the new master of the universe.

ラインの虜囚 / Rain no Ryoshuu / The Prisoner of the Rhein

An historic adventure set in 19th century Europe that involves a girl from Canada, a pirate from the Carribbeans, a swordsman who is always drunk and a writer who calls himself a genius. They are involved in an intrigue about a man imprisoned in a tower on the Rhein, who may be the supposedly dead Napoleon.

This seems to be a fun thing to read.

200503031003075_200503031008455 アルスラーン戦記 / Arusuraan Senki / The Heroic Legend of Arslan

As I have only seen the anime, I figure it is about time I give the original novels a try. I gather that a new novel volume came out in December 2006, after an interval many years. 

(As an aside - may I just say that I yearn for anime series that engage the left brain? I really do. I just hope all the moe crap is not here to stay and we will see the swing of the pendulum at some point in the near future...)

October 25, 2007

Review: 'The Heroic Legend of Arslan (アルスラーン戦記)'

Recently I rewatched The Heroic Legend of Arslan (アルスラーン戦記) after an interval of many years in a bout of nostalgia. I was particularly impressed all by the positioning of people on the fringe instead of the centre of the frame against a vast expanse of natural landscape/archectural structure. A wonderfully epic feel is thereby achieved through this technique:

Legendofarslan02 Legendofarslan03 Legendofarslan07

Arslan also has a lot of other good points to recommend itself:

  • Smooth and creative camera work in terms of how things/people enter and exit the frame

I think the opening sequence illustrates this point. First you see Prince Arslan mounted on a horse in a misty and dreamy place. Then you see a close-up of the jewel on his helmet, then a close-up of his face. He seems to be alone, lost in his own thoughts. Then as the camera pans out, you realize that he is actually standing on a battle field, leading an army of men to war. All this occurs in a seamless manner that is quite something to behold.

Legendofarslan41_2