Posts Tagged ‘芥川龍之介’

[Manga] Yamakawa Naohito: “Choukoudou Shujin” and “Koohii mou ippai”

Sunday, December 13th, 2009
Cover image of BEAM Comix

Cover image of the Jan 2010 issue of Comic Beam showing an illustration of "Choukoudou Shujin" by Yamakawa Naohito.

Choukoudou Shujin [澄江堂主人]

News reached me that the manga artist Yamakawa Naohito [山川直人] is launching a new series entitled Choukoudou Shujin [澄江堂主人] on the monthly manga magazine Comic Beam.

When I looked at the illustration on the left, my gut reaction was: “This is just what Chūzenji Akihiko would look like if Yamakawa-sensei were to draw a portrait of him.” Then my second thought was: “Well, since Chūzenji Akihiko was modeled in part after Akutagawa Ryūnosuke, maybe this manga is inspired by Akutagawa after all.” After researching on the internet a bit, it turns out that my gut feeling was right, “Choukoudou Shujin” was indeed one of several literary names by which Akutagawa Ryūnosuke was known.

Details on this manga seem to be scarce at the moment, but I am pleased to see Yamakawa-sensei continuing with his unique trademark medieval-engraving-like drawing style from his previous works such as -

Koohii mou ippai [コーヒーもう一杯]

This is a 5-volume manga series comprised of individual short stories that all have to do with coffee one way or other. Each of them is bittersweet with a philosophical bent. I have always thought this would be the sort of manga that the writer Murakami Haruki [村上春樹]* would have drawn if he were a manga artist. (Or least Murakami in his The Elephant Vanishes phase. I have fallen behind on his more recent works such as 1Q84 but have been told that his artistic/literary style had changed a lot.)

Anyway, my favorite story by far in Koohii mou ippai goes like this:

A man comes home one day and finds the cat he used the keep two years ago waiting for him. The cat has grown up and is apparently running his own successful business. The cat wears a suit and has a handful of employees by his side. They exchange news while drinking coffee, and the cat finally reveals that it has come to watch a movie called Coffee and Cigarette with him. The man is of modest means and has no DVD player, so the cat dispatches one of his underlings to fetch a DVD player at once, and the two of them sit down to watch the movie. During the movie, the man notices that the cat has fallen asleep. The cat apologizes and the man reckons that the cat must be tired from overwork. The man remembers that two years ago, the cat was still only a child, and he wonders what would be the human equivalent of two years in a cat’s life…

I think it is a unique story that illustrates basically the same concept as Shinkai Makoto’s Byousoku 5 Centimeter – that people live and grow at different speeds. On a personal level, it is a theme that I feel more profoundly than anything else. (I often feel like that cat when I meet with people from the past.)

In any case, I recommend Yamakawa-sensei’s works without reserve. Even if you cannot read Japanese, the unique, engraving-like artstyle is a still pleasure to look at. There is always a touch of the fantastical in the artwork, just like the stories themselves. Here are some random pages I scanned after the jump:

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A word on Madhouse’s upcoming anime series Aoi Bungaku (青い文学)

Thursday, September 24th, 2009

In my mind, there is a spectrum of Japanese authors. On one extreme end there are those I understand and admire tremendously and they are the likes of Natsume Soseki (夏目漱石) and Kyougoku Natsuhiko (京極夏彦). And then there are others whose works I unfortunately can never quite understand and cannot bring myself to like, and there sits the likes of Oe Kenzaburo (大江健三郎) and Dazai Osamu (太宰治). So that when news reached me that Madhouse is to launch Aoi Bungaku (青い文学) – an anime series based on works of modern Japanese literature – it was with mixed feelings that I received the lineup of titles to be animated. You can find a list of the titles here.

Sakura

Screenshots of "In the Forest, Under Cherries in Full Bloom" downloaded from Aozora Bunko to the iPhone app Aozora Hondana (青空本棚). Yes, I recently yielded to get an iPhone.

In the Forest, Under Cherries in Full Bloom (桜の森の満開の下) by Sakaguchi Ango (坂口安吾) would be the highlight of this series for me. I have mentioned it briefly before on this blog and I personally reckon it to be the most thought-provoking short story written in the post-war era. The text itself is available on Aozora Bunko. (Actually, the copyright of a lot of Sakaguchi’s works would seem to have expired in the recent months, as I noticed that Aozora Bunko has been active with many uploads of his works.) I don’t want to spoil that story by summarizing the plot because it is much more powerful if you do not know what comes next from the very beginning. For now, I will only say that it is a complex story juxtaposing man and woman, savagery and refinement, beauty and madness, urbanity and wilderness, lawlessness and order, and a host of other things. A story like this begs to be handed by an anime director like Nakamura “Mononoke” Kenji, but I see that they have chosen Araki Tetsuro (荒木哲郎) for the task. I have seen Araki’s recent work Kurozuka (黒塚) and I think he does have the skills to depict that darkly beautiful air that permeates Sakaguchi’s story.

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